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These instruments were manufactured from 1950-1986. 3) Concert cimbaloms: originally developed in Hungary by József Schunda in the 1870s.
These instruments stand on four legs, have many more strings, and a damping pedal.
With the rise of piano manufacturing Vienna in the 19th century, access to metal tuning pins and strings became much easier.
The hammered dulcimer became popular throughout the Austro-Hungarian Empire, where it was quickly spread by itinerant Jewish and Romani (Gypsy) musicians.
The concert cymbalom has replaced most of the smaller folk tsymbaly previously used in Ukrainian orchestras and in Academic Conservatory courses.
These instruments are fully chromatic and have a range of over four octaves.
According to Hnat Khotkevych, The tsymbaly were relatively easy to make and quite forgiving in its manufacture.
With access to piano wire and metal tuning pegs, an instrument could easily be constructed in the village environment.
Owing to Yosaphat and Volodymyr Kobrynsky the museum business was launched in Galicia and it met the international standards in a while.Concert works have been composed for the tsymbaly by professional Ukrainian composers V.Shumeiko, Volodymyr Zubytsky, Anatoliy Haidenko, Bohdan Kotiuk, Izydor Vymer, Dezyderiy Zador, Myroslav Skoryk and Yevhen Stankovych.Under the Hornbostel-Sachs system of classification of musical instruments, it has the catalog number 314.122-4,5.A small multi-stringed chordophone was first was depicted on Assyrian frescoes dating back to 3500 B. It is thought to have developed from the Persian santur, which entered Europe in the Middle Ages during the Crusades.
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